Gloria

Naji Hakim

2002

Chorus SATB, organ

In this Gloria, the melody is predominantly of a popular character, with a harmonic language whose tonality is expanded by diatonic or oriental modes. The themes are mainly based on melodies from the childhood of the composer and refer to Maronite or Roman liturgical sources or to a profane theme by Glazounov. The orchestral texture of the organ writing is developed with a certain independence from the vocal parts as in Hakim's Messe Solennelle.