Jhula Jhule
Score title
Jhula Jhule
Composer
Reena Esmail
More about the composer
Date
Instrumentation
Library copy
Program note
This piece was originally written for violin and piano. These are the program notes for the original work.
When writing this piece, to be based upon Indian folksong, I cast a wide net for source material – I scoured the internet and my large collection of Indian music, listening to everything from Bengali Bauls, Rajasthani folk singing. I even tried to find songs from Goa and Gujarat, the places my parents are from in India, typing every conceivable search term into Google. However, the material I felt most connected to in the end didn’t come to me from a distant corner of India, but in the most common way folk music can be transmitted: through the generations of my own family.
This piece uses two folk melodies. The first is a song called “Ankhon vina andharon re”, which I found on a recording my mother’s father made long before I was born. Of his five grandchildren, I am the only one who never met him. But as I’ve grown up, I realize how much we have in common, including our deep love of music. My mother often tells me stories of listening to records of Beethoven Symphonies on hot nights in Kenya, where my grandfather spent most of his life. All the lights were turned off, and they would listen as a family, in the silent darkness, following his lead as he taught them to savor each note. We still have recordings of my grandfather singing songs in many languages – English, Marathi, Konkani, Portuguese and others – which I listen to from time to time, imagining what it might have been like to know him.
The other song comes to me from my grandmother, my father’s mother. My father’s parents (who even our American friends affectionately called Mamma and Pappa) moved to the US the year before I was born, and lived with us for most of my childhood. I grew up speaking to Mamma only in Gujarati, a language that I spoke to no one else until she died in 2007. As a baby, Mamma would often sing me this lullaby: Jhula Jhule, Jhula Jhule / Reena Rani Jhula Jhule which translates: Back and forth, back and forth / Reena the Queen swings back and forth. It has been years since I have thought about this melody, but while working on this project, it suddenly popped back into my mind. I’m so glad it did – it is one of the few musical memories I have of her.
Working on this piece was very special for me. I spent most of my childhood as a first-generation American unconsciously trying to separate my home life from my outside life. I became aware very early on that there was no real resonance for my Indian culture in my American surroundings. As a composer, I’ve often quoted from pieces I love (mostly by other western composers, and more recently from Hindustani bandishes). But this is the first time I’ve felt able to bring songs from my own family into my music, and into the western concert hall. I think – I hope – I’ve finally found a point of resonance.
When writing this piece, to be based upon Indian folksong, I cast a wide net for source material – I scoured the internet and my large collection of Indian music, listening to everything from Bengali Bauls, Rajasthani folk singing. I even tried to find songs from Goa and Gujarat, the places my parents are from in India, typing every conceivable search term into Google. However, the material I felt most connected to in the end didn’t come to me from a distant corner of India, but in the most common way folk music can be transmitted: through the generations of my own family.
This piece uses two folk melodies. The first is a song called “Ankhon vina andharon re”, which I found on a recording my mother’s father made long before I was born. Of his five grandchildren, I am the only one who never met him. But as I’ve grown up, I realize how much we have in common, including our deep love of music. My mother often tells me stories of listening to records of Beethoven Symphonies on hot nights in Kenya, where my grandfather spent most of his life. All the lights were turned off, and they would listen as a family, in the silent darkness, following his lead as he taught them to savor each note. We still have recordings of my grandfather singing songs in many languages – English, Marathi, Konkani, Portuguese and others – which I listen to from time to time, imagining what it might have been like to know him.
The other song comes to me from my grandmother, my father’s mother. My father’s parents (who even our American friends affectionately called Mamma and Pappa) moved to the US the year before I was born, and lived with us for most of my childhood. I grew up speaking to Mamma only in Gujarati, a language that I spoke to no one else until she died in 2007. As a baby, Mamma would often sing me this lullaby: Jhula Jhule, Jhula Jhule / Reena Rani Jhula Jhule which translates: Back and forth, back and forth / Reena the Queen swings back and forth. It has been years since I have thought about this melody, but while working on this project, it suddenly popped back into my mind. I’m so glad it did – it is one of the few musical memories I have of her.
Working on this piece was very special for me. I spent most of my childhood as a first-generation American unconsciously trying to separate my home life from my outside life. I became aware very early on that there was no real resonance for my Indian culture in my American surroundings. As a composer, I’ve often quoted from pieces I love (mostly by other western composers, and more recently from Hindustani bandishes). But this is the first time I’ve felt able to bring songs from my own family into my music, and into the western concert hall. I think – I hope – I’ve finally found a point of resonance.